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	<title>Kahlo Portfolio Archivo &#8212; Museo de Arte de Zapopan</title>
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	<title>Kahlo Portfolio Archivo &#8212; Museo de Arte de Zapopan</title>
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		<title>Carmen Huízar: 1 raindrop on the dust</title>
		<link>https://maz.zapopan.gob.mx/en/portfolio-item/carmen-huizar-1-raindrop-on-the-dust/</link>
					<comments>https://maz.zapopan.gob.mx/en/portfolio-item/carmen-huizar-1-raindrop-on-the-dust/#respond</comments>
		
		<dc:creator><![CDATA[MAZ MUSEO]]></dc:creator>
		<pubDate>Mon, 20 Apr 2026 23:48:25 +0000</pubDate>
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					<description><![CDATA[<p>From May 16 to September 27, 2026 Project Room</p>
<p>El cargo <a href="https://maz.zapopan.gob.mx/en/portfolio-item/carmen-huizar-1-raindrop-on-the-dust/">Carmen Huízar: 1 raindrop on the dust</a> apareció primero en <a href="https://maz.zapopan.gob.mx/en/about-maz/eng">Museo de Arte de Zapopan</a>.</p>
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		<title>Cecilia Rébora: A Hundred cats</title>
		<link>https://maz.zapopan.gob.mx/en/portfolio-item/cecilia-rebora-hundred-cats/</link>
		
		<dc:creator><![CDATA[MAZ MUSEO]]></dc:creator>
		<pubDate>Mon, 16 Feb 2026 23:46:11 +0000</pubDate>
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					<description><![CDATA[<p>From April 25 to July 5, 2026 Biombo Reading Room In literature as in life, cats are characterized by their independence and their aura of mystery. Perhaps that is why they leave no one indifferent. &#160; In the work of Cecilia Rébora ―author and illustrator of children’s books― the figure of the cat has been [&#8230;]</p>
<p>El cargo <a href="https://maz.zapopan.gob.mx/en/portfolio-item/cecilia-rebora-hundred-cats/">Cecilia Rébora: A Hundred cats</a> apareció primero en <a href="https://maz.zapopan.gob.mx/en/about-maz/eng">Museo de Arte de Zapopan</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Yukinori Yanagi: El Mare Pacificum</title>
		<link>https://maz.zapopan.gob.mx/en/portfolio-item/yanagi-mare/</link>
		
		<dc:creator><![CDATA[MAZ MUSEO]]></dc:creator>
		<pubDate>Mon, 16 Feb 2026 23:43:56 +0000</pubDate>
				<guid isPermaLink="false">https://maz.zapopan.gob.mx/?post_type=portfolio-item&#038;p=17903</guid>

					<description><![CDATA[<p>From March 26 to August 9, 2026 EstaciónMAZ &#160; The Pacific Ocean has a deceptive name: it suggests calm and quietude, as if its waters offered a promise of serenity. History, however, has repeatedly given the lie to this illusion. This vast maritime territory has been the scene of some of the greatest violence of [&#8230;]</p>
<p>El cargo <a href="https://maz.zapopan.gob.mx/en/portfolio-item/yanagi-mare/">Yukinori Yanagi: El Mare Pacificum</a> apareció primero en <a href="https://maz.zapopan.gob.mx/en/about-maz/eng">Museo de Arte de Zapopan</a>.</p>
]]></description>
		
		
		
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		<title>Sala Abierta [Open Gallery] 21 – Alejandra Laviada</title>
		<link>https://maz.zapopan.gob.mx/en/portfolio-item/sala-abierta-open-gallery-21-alejandra-laviada/</link>
					<comments>https://maz.zapopan.gob.mx/en/portfolio-item/sala-abierta-open-gallery-21-alejandra-laviada/#respond</comments>
		
		<dc:creator><![CDATA[MAZ MUSEO]]></dc:creator>
		<pubDate>Fri, 13 Feb 2026 18:43:23 +0000</pubDate>
				<guid isPermaLink="false">https://maz.zapopan.gob.mx/?post_type=portfolio-item&#038;p=18346</guid>

					<description><![CDATA[<p>From april 1 to june 14, 2026 33 parts to make a whole, 2026 Video 9’41” Music by Piotr Garbaczonek / Zampol Productions &#160; Sala Abierta (Open Gallery) is an intangible space that is part of the MAZ galleries. Filmed on the outskirts of Paris, France, where the artist lives, the work follows a man [&#8230;]</p>
<p>El cargo <a href="https://maz.zapopan.gob.mx/en/portfolio-item/sala-abierta-open-gallery-21-alejandra-laviada/">Sala Abierta [Open Gallery] 21 – Alejandra Laviada</a> apareció primero en <a href="https://maz.zapopan.gob.mx/en/about-maz/eng">Museo de Arte de Zapopan</a>.</p>
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		<title>Fabien Cappello: Listones (Ribbons)</title>
		<link>https://maz.zapopan.gob.mx/en/portfolio-item/fabien-cappello-ribbons/</link>
		
		<dc:creator><![CDATA[MAZ MUSEO]]></dc:creator>
		<pubDate>Tue, 30 Dec 2025 21:43:47 +0000</pubDate>
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					<description><![CDATA[<p>From January 31, 2026Design, Fashion, and Architecture ProgramCoordinated by: José Antonio Sada Sánchez Mejorada EstaciónMAZ Lobby The Zapopan Art Museum (MAZ), as part of its Design, Fashion, and Architecture Program, has invited designer Fabien Cappello to intervene in various spaces of EstaciónMAZ. This semi-permanent installation arises from a series of exercises from Cappello&#8217;s latest body [&#8230;]</p>
<p>El cargo <a href="https://maz.zapopan.gob.mx/en/portfolio-item/fabien-cappello-ribbons/">Fabien Cappello: Listones (Ribbons)</a> apareció primero en <a href="https://maz.zapopan.gob.mx/en/about-maz/eng">Museo de Arte de Zapopan</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Alejandra Laviada: The Staircase Knocked the House Over*</title>
		<link>https://maz.zapopan.gob.mx/en/portfolio-item/alejandra-laviada-the-staircase-knocked-the-house-over/</link>
		
		<dc:creator><![CDATA[MAZ MUSEO]]></dc:creator>
		<pubDate>Thu, 11 Dec 2025 00:46:04 +0000</pubDate>
				<guid isPermaLink="false">https://maz.zapopan.gob.mx/?post_type=portfolio-item&#038;p=17617</guid>

					<description><![CDATA[<p>From January 31st to June 14th, 2026 Curators: Viviana Kuri Haddad and Maya Renée Escárcega Lola Álvarez Bravo Gallery &#160; Between here and there, the staircase is an uninhabitable transitional space. It takes you somewhere, but it is not a place to be in: it is a transit space (although it is true that one [&#8230;]</p>
<p>El cargo <a href="https://maz.zapopan.gob.mx/en/portfolio-item/alejandra-laviada-the-staircase-knocked-the-house-over/">Alejandra Laviada: The Staircase Knocked the House Over*</a> apareció primero en <a href="https://maz.zapopan.gob.mx/en/about-maz/eng">Museo de Arte de Zapopan</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Tino Sehgal</title>
		<link>https://maz.zapopan.gob.mx/en/portfolio-item/tino-sehgal-eng/</link>
		
		<dc:creator><![CDATA[MAZ MUSEO]]></dc:creator>
		<pubDate>Wed, 22 Oct 2025 20:21:40 +0000</pubDate>
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					<description><![CDATA[<p>From November 30, 2025 to March 1, 2026Curator: Viviana Kuri Haddad Interpreters: Hazael Anom, Zoé Flores, Héctor Jiménez Castillo, César López, Daniel Magaña, Diana Mariscal, Alejandro Mendicuti, Luisina Pérez, Camila Pérez Rangel and Yancey Tolsá. EstaciónMAZ MAZ Museum presents the first solo exhibition of Tino Sehgal in Mexico. Sehgal’s international recognition stems from a radical [&#8230;]</p>
<p>El cargo <a href="https://maz.zapopan.gob.mx/en/portfolio-item/tino-sehgal-eng/">Tino Sehgal</a> apareció primero en <a href="https://maz.zapopan.gob.mx/en/about-maz/eng">Museo de Arte de Zapopan</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Tremulations</title>
		<link>https://maz.zapopan.gob.mx/en/portfolio-item/tremulations/</link>
		
		<dc:creator><![CDATA[MAZ MUSEO]]></dc:creator>
		<pubDate>Wed, 22 Oct 2025 20:20:54 +0000</pubDate>
				<guid isPermaLink="false">https://maz.zapopan.gob.mx/?post_type=portfolio-item&#038;p=16982</guid>

					<description><![CDATA[<p>From November 30, 2025 to April 26, 2026Curated by: Daniel Birnbaum and Jacqui Davies Juan Soriano Gallery and Luis Barragán Gallery &#160; Tremulations is an exhibition that takes Emanuel Swedenborg’s cosmology as its point of departure. In his 1718 manuscript On Tremulation, he describes our world as consisting fundamentally of vibrations. Everything oscillates, even large [&#8230;]</p>
<p>El cargo <a href="https://maz.zapopan.gob.mx/en/portfolio-item/tremulations/">Tremulations</a> apareció primero en <a href="https://maz.zapopan.gob.mx/en/about-maz/eng">Museo de Arte de Zapopan</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Stefan Sagmeister: Finally, Something Good</title>
		<link>https://maz.zapopan.gob.mx/en/portfolio-item/stefan-sagmeister-finally-something-good/</link>
		
		<dc:creator><![CDATA[MAZ MUSEO]]></dc:creator>
		<pubDate>Mon, 18 Aug 2025 19:54:46 +0000</pubDate>
				<guid isPermaLink="false">https://maz.zapopan.gob.mx/?post_type=portfolio-item&#038;p=16231</guid>

					<description><![CDATA[<p>September 27, 2025 to March 1, 2026Design, Fashion, and Architecture ProgramCoordinator: José Antonio Sada Sánchez Mejorada Project Room Finally, Something Good challenges the narrative of dystopian stories and predictable patterns; deliberately opposing the usual methods of understanding and recognizing critical work, by proposing alternative ways of interpreting information. In a cultural landscape where despair  is [&#8230;]</p>
<p>El cargo <a href="https://maz.zapopan.gob.mx/en/portfolio-item/stefan-sagmeister-finally-something-good/">Stefan Sagmeister: Finally, Something Good</a> apareció primero en <a href="https://maz.zapopan.gob.mx/en/about-maz/eng">Museo de Arte de Zapopan</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Chantal Peñalosa Fong: Loom Tales / Cuentos de presagio</title>
		<link>https://maz.zapopan.gob.mx/en/portfolio-item/chantal-loom-tales/</link>
		
		<dc:creator><![CDATA[MAZ MUSEO]]></dc:creator>
		<pubDate>Wed, 06 Aug 2025 21:43:14 +0000</pubDate>
				<guid isPermaLink="false">https://maz.zapopan.gob.mx/?post_type=portfolio-item&#038;p=16209</guid>

					<description><![CDATA[<p>From August 2, 2025, to January 4, 2026 Curator: Virginia Roy Sala Lola Álvarez Bravo &#160; For thousands of years there has existed in China a literary genre known as zhiguai xiaoshuo, which might be translated as “tales of the uncanny.” The term refers to fantastical stories of strange and supernatural happenings that contain an [&#8230;]</p>
<p>El cargo <a href="https://maz.zapopan.gob.mx/en/portfolio-item/chantal-loom-tales/">Chantal Peñalosa Fong: Loom Tales / Cuentos de presagio</a> apareció primero en <a href="https://maz.zapopan.gob.mx/en/about-maz/eng">Museo de Arte de Zapopan</a>.</p>
]]></description>
		
		
		
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